"You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!" "You do mean literally everything, to the last little miniature on the last little screen?"!

"Quite right. There's nothing like them," said Mrs. Gereth. At this her companion took up one of her hands again and kissed it as she had done in London. "Mona went back that night; she was not there yesterday. Owen stayed on," she added. Mrs. Gereth had said she would go with the rest to church, but suddenly it seemed to her that she should not be able to wait even till church-time for relief: breakfast, at Waterbath, was a punctual meal, and she had still nearly an hour on her hands. Knowing the church to be near, she prepared in her room for the little rural walk, and on her way down again, passing through corridors and observing imbecilities of decoration, the æsthetic misery of the big commodious house, she felt a return of the tide of last night's irritation, a renewal of everything she could secretly suffer from ugliness and stupidity. Why did she consent to such contacts, why did she so rashly expose herself? She had had, heaven knew, her reasons, but the whole experience was to be sharper than she had feared. To get away from it and out into the air, into the presence of sky and trees, flowers and birds, was a necessity of every nerve. The flowers at Waterbath would probably go wrong in color and the nightingales sing out of tune; but she remembered to have heard the place described as possessing those advantages that are usually spoken of as natural. There were advantages enough it clearly didn't possess. It was hard for her to believe that a woman could look presentable who had been kept awake for hours by the wall-paper in her room; yet none the less, as in her fresh widow's weeds she rustled across the hall, she was sustained by the consciousness, which always added to the unction of her social Sundays, that she was, as usual, the only person in the house incapable of wearing in her preparation the horrible stamp of the same exceptional smartness that would be conspicuous in a grocer's wife. She would rather have perished than have looked endimanchée.

This was a transaction that Fleda, after a moment, had to give up trying to represent to herself. "If she won't do that—?" she went on. "If we have lost?" Fleda repeated as she paused again. Fleda gave a dim smile. "You make me at least feel that I'm learning to know you very well when I hear you say such a thing as that. Mrs. Brigstock came to get round me, to supplicate me," she went on; "but to find you there, looking so much at home, paying me a friendly call and shoving the tea-things about—that was too much for her patience. She doesn't know, you see, that I'm after all a decent girl. She simply made up her mind on the spot that I'm a very bad case."